Marcie Colleen: Why the Common Core is Good News for Authors

It’s our pleasure today to welcome Author and Education Consultant Marcie Colleen to Nerdy Chicks Rule! Marcie is an expert on creating highly acclaimed Teacher’s Guides that align picture books and middle grade novels with the Common Core and other state mandated standards.  She is the Education Consultant for Picture Book Month and the the Curriculum Developer for Time Traveler Tours & Tales. Her work with Picture Book Month has been recognized by School Library Journal and the Children’s Book Council. Marcie has been an invaluable resource to both the Nerdy Chicks as the developer of many of the educator guides that go with our books! We’re so happy that Marcie is joining us!

Why the Common Core is Good News for Authors

headshotI remember clearly my first few days as a high school English Literature teacher.  I was young.  I was green.  I had no clue what to teach.  I had a zillion ideas and no ideas at the same time.  The possibilities seemed endless.

And then I was handed a textbook.

It was made clear to me that I was to start toward the beginning of the textbook and work my way through.  It was required.

The textbook was the literature class.

In addition to the textbook, the students in my classes were required to read a few longer works.

All “appropriate, pre-approved” choices could be found in the dank dusty book closet which stood locked at the end of the hallway.  Romeo and Juliet by William Shakespeare, To Kill a Mockingbird by Harper Lee, Of Mice and Men by John Steinbeck, The Outsiders by S.E. Hinton, Flowers for Algernon by Daniel Keyes.

Many of these books had lost their covers.  Those that did have covers included out-dated, artwork that often evoked laughter from my rough, urban students.  Oh, and good luck finding enough copies for my class.  If worse came to worse, I was instructed to photocopy the necessary chapters each week.

That was that.  My creativity, my love for books, my countless ideas for stories to bring to class was squashed by this textbook and required reading.

Although these books were classics, they did not always speak to my students, they did not instill a desire to become life-long readers.  I was told it didn’t matter.  We were fulfilling requirements.  If I had any grand ideas of other pieces of literature to introduce, it had to be cleared by the Department and then it was up to me to find a way to integrate it into the existing curriculum while also covering the required literature.  Needless to say, I didn’t bring in anything extra.

Now for the good news!

The Common Core does not contain a required reading list.  All books are Common Core compliant.  Yes, even YOUR book!

The focus has shifted from WHAT the students read to HOW they read.  Students are expected to read a range of classic and contemporary literature as well as challenging informational texts from an array of subjects so that students can acquire new knowledge, insights, and consider varying perspectives as they read.

What does that mean to you as an author?

It means that your book now has a place within the classroom.  In fact, teachers that are used to teaching from obsolete textbooks are now looking for good quality literature and informational texts (Common Core lingo for Nonfiction) to bring to their students.

This is a huge opportunity.  Of course, it also means that the competition is high.  Teachers are still incredibly busy and instruction time is limited. However, there are several ways to make your book (and you) stand out above the rest.

No need to sift through the dank dusty book closet anymore.

Join me right here again on November 10th as we continue this conversation with 4 ways to make your book part of the curriculum!

Thank you, Marcie! This was such a great post!

As a private consultant Marcie works one-on-one to guide authors and illustrators to best position their books for school visits and classroom use.  Visit her at www.thisismarciecolleen.com to discover how Marcie can help you navigate the world of children’s literature and education.

Nerdy Chicks Logo with CIRCLE - TASSEL - DIPLOMA - pink backgroundAnd if you REALLY want to learn what Marcie has to teach you, join her at Kidlit Writing School for a Webinar on What Authors Need To Know to Make Schools Fall in Love with Their Books. You can register now for this 90 minute webinar with Marcie by clicking this link to take you to the Kidlit Writing School Square Market. There, you can pay the $50 fee by credit card at Square’s secure site.

Want to learn more about Marcie’s upcoming Webinar? Read all about it here.

 

Meet Emily Soper of WHEELS OF CHANGE

blog tour photo (1)On September 22, 2014, the world will get to meet Emily Soper, the main character of Darlene Beck Jacobson’s debut book, WHEELS OF CHANGE. Today on Nerdy Chicks Rule, you will get to meet Darlene and learn more about this fabulous new book.

Darlene, thank you for joining us at Nerdy Chicks Rule! One of the things we do here at this blog is to celebrate smart women (and girls!). So, tell us: what are your favorite things to read?

Middle Grade Novels and Picture Books are my favorites. I read many genres, but am especially drawn to coming of age stories, historical fiction, mysteries and humorous tales.

How do you see the books as helping to empower girls to be smart (or, as we like to call it, nerdy)?

PiratePrincess cThere are so many wonderful books with strong, spunky female characters. Some of my recent favorites include: MG’s such as COUNTING BY 7’S by Holly Goldberg Sloan, THE JUNCTION OF SUNSHINE AND LUCKY by Holly Schindler, FLORA & ULYSSES by Kate DiCamillo, THE EVOLUTION OF CALPURNIA TATE by Jacqueline Kelly, JUNIPER BERRY by M P Kozlowsky, KAT, INCORRIGIBLE by Stephanie Burgis, and INSIDE OUT AND BACK AGAIN by Thanha Lai. For PB’s there is: HOW TO BE HUMAN by Florida Frenz, HAVE FUN MIOLLY LOU MELLON by Patty Lovell, PIRATE PRINCESS by Sudipta Bardhan Quallen, and all the RAMONA QUIMBY books. Each of these books celebrate girls who are different and not afraid to stand alone for something they believe in. Emily – the heroine in WHEELS OF CHANGE (WOC) – is that kind of girl.

Tell us about a fictitious nerdy chick you admire and why you admire her.

The first nerdy chick I met in a book and wanted to be was Nancy Drew. She and her girlfriends Beth and George were independent, brainy, and adventurous. Oh what fun it was to pretend to be Nancy and solve those mysteries. She was the first “feminist” character I read as a girl and I still get a feeling of “girl power” when I see one of her books.

What’s something you like to do that might be considered a little bit nerdy, but is actually really fun?

When I was in high school I made most of my own clothes, so everything I wore was unique. I still enjoy making things by hand and giving them away as gifts.

What is one of your favorite achievements that you can credit to being a nerdy chick?

lang awardThat would have to be winning the eighth grade Language Arts Award at graduation.

Three things that make the main character EMILY in WOC a nerdy chick:

1. She enjoys hanging out in the forge and in the carriage barn, hoping to one day become a blacksmith.

2. She’s always asking questions, and when she thinks something is unfair or unjust, will speak up – even if it means getting in trouble.

3. She thinks girls shouldn’t have to worry about being proper ladies, but instead should worry about doing what’s right. Even if it means standing alone.

Three things that make ME a nerdy chick:

1. If I were only allowed to bring three things on a trip, they would be a book, notebook and pencils.

2. I think the world would be a more just and peaceful place if girls were in charge.

3. I think authors and teachers are the real rock stars who deserve their own “Walk of Fame”.

??????????Darlene Beck Jacobson has loved writing since she was a girl. She wrote letters to everyone she knew and made up stories in her head. Although she never wrote to a president, she sent many letters to pop stars of the day asking for photos and autographs. She loves bringing the past to life in stories such as WHEELS OF CHANGE, her debut novel. Darlene’s stories have appeared in CICADA, CRICKET, and other magazines. When not writing, Darlene enjoys baking, sewing and tea parties. She also likes hanging around forges watching the blacksmith work magic. She’s never ridden in a carriage like the one in the story, but hopes to one day.

Her blog features recipes, activities, crafts and interviews with children’s book authors and illustrators. She still loves writing and getting letters. Check out her website at: www.darlenebeckjacobson.com Twitter @dustbunnymaven

Darlene and WHEELS OF CHANGE are on a blog tour, so please sure to visit her Q & A on Literacy with Gail Terp on September 2.

See the trailer for Wheels of Change: 

Vacation Traditions, Part 2

Two weeks ago, Kami blogged about her family’s vacation traditions. Well, I just returned from my own family vacation, and thought it would be nice to share my reflections.

For some families, like Kami’s, the vacation traditions survive generations. For me, on the other hand, it’s a little bit different. Being the child of immigrants, my childhood summers were spent doing basically one thing — and my parents wouldn’t have called it vacation. No, for them, it was going home.

Aunts, uncles, parents, cousins...even a sister!

Aunts, uncles, parents, cousins…even a sister!

When I was younger, almost every significant school break was spent traveling back to India where my parents grew up. It was so common that I think I may have been in elementary school before I realized just what a journey the flight from JFK to Calcutta truly was! But the long flight and the inconveniences of travel faded as soon as we touched down on Indian soil. Because just as my parents were going home, for me, India became a home of sorts as well. Whenever I was there, I was surrounded — in fact, flooded! — with family. Uncles, aunts, cousins, grandparents — you name it, I had a dozen. in Indian culture, we don’t hugely differentiate between first cousins and second cousins, or even between cousins and siblings. The word for older brother and older male cousin is the same — “dada” — just as the word for older sister and older female cousin (“didi“) is the same. Therefore, in India, I had family everywhere I looked.

My childhood memories of vacation are all strongly associated with layers and layers of extended family. And I always thought that that was a lovely way to grow up.

P1060527Except when it comes to my own children…well, I don’t have the same kinds of family layers to share with them. Sure, my kids spend oodles of time with my parents, and last year’s vacation was to go out to California to see their aunt and uncle (my sister and brother-in-law). But this year? It was just us at the beach.

As I was leaving, I remember thinking about how to make our solo trip about FAMILY in the same way my childhood trips had been.

I’m a silly person.

A few months ago, I took a trip to Paris with my daughters. There, I learned that getting MY way wasn’t how WE were going to have fun together. On this most recent trip, I learned something, too.

Even though it was “just us,” the trip felt as full as any of my childhood vacations (and I swear the drive was as long as the New York to Calcutta flight!). I learned that FAMILY with a capital F is not about the number of bodies you squeeze into a tiny space, but how much love you cram into it.

Here’s to great family vacations for all our readers!

Get it WRITE This Summer!

We are so excited to announce a new kidlit writer’s workshop through our sister site, Nerdy Chicks Write called

SUMMER SCHOOL!

badge

Kidlit Summer School is a four week writer’s workshop that will run from July 21 through August 15. Because we (Kami and Sudipta) both enjoy teaching writing classes, we wanted to find a way to offer craft-based writing advice on a particular topic each summer. Our 2014 course is going to focus on writing great characters.

It’s fun! It’s fabulous! It’s FREE!

Pre-registration has already begun! If you’d like to find out more about Summer School and sign yourself up, please visit Nerdy Chicks Write by clicking the badge above (designed by the fabulous Zachariah Ohora), or on the link in the header above, or simply click HERE. Register now and

Get it WRITE This Summer!

We want to see YOU at Summer School! Be there, or be square!! (Can you tell I was not one of the cool kids in school?)

Nerdy Chicks Go To Paris

Last month, I took an incredible trip. To Paris.

9J7A0516

What made it even more incredible was that my companions to the City of Light were my two daughters. The girls are 12 and 13 now, and I just knew what the trip would be…deep conversations about life and philosophy as we sat in Parisian cafes sipping coffee (or Evian, as the case might be)…long strolls along the Seine contemplating the things in life that change and the things that stand the test of time…visits to the world-class art museum of Paris absorbing culture and history…indulging in the gastronomic pleasures of the greatest city on earth. A memorable experience.

SPOILER ALERT: None of those things happened.

9J7A0055As it turns out, 12 and 13 year olds don’t view Paris in the same way that their 30-something mother does. This is how the trip started: after a red eye flight and two hours of recovery sleep in the hotel, we left for the Eiffel Tower tour I had pre-booked for us. We skipped right past the 2 hour line and climbed to the summit. We gazed out at the breathtaking view of the city.

And then five minutes later, the girls said, “Can we go now?”

OK, I got that. It’s not like the view was changing, right? We saw everything you could see, and it was time to move to the next thing. So I asked them what they wanted to do.

“Dunno.” Times two.

But wait! I’d specifically asked them to each look up three things they wanted to do in Paris before our trip. So I asked for their lists.

“Eiffel Tower,” said one.

The other agreed. “That was on my list, too.”

Well, what else?

“Dunno.” Times two. 9J7A1268

I’ll admit, that’s when I lost my temper a little bit. After all, they hadn’t researched a single cafe to visit for philosophical discussions? Not a single monument to admire?

“Dunno.” Times two.

By the way, it was right around then that it started to rain. Not a heavy enough rain to send us back to the hotel, but just enough to get us wet and cranky.

There is literally no answer more frustrating as a parent and as a Nerdy Chick than “Dunno.” So I made an executive decision: we were going to the Musee D’Orsay.

I can’t tell you how the thought of that excited my girls. No, really, I can’t tell you. There are no words. Because they had no words.

We got on the train from the Champs de Mars (just soaked enough to be aggravated) and headed to the Musee D’Orsay. This involved a double decker train, which is when the girls finally showed a little excitement about the Musee D’Orsay. Though I’m pretty sure riding on the top level of the RER should not have been as exciting as seeing some Monets and Van Goghs.

When we finally got to the museum, there was no line for entry. Score! Right?

Yeah, well, there was no line because the Musee D’Orsay was closed. So, there we were, wet, tired, unable to experience the cultural depth of a Parisian Museum.

That’s when one of my daughters said, “This is great!”

Huh? “Why?” I asked, “The museum is closed!”

“Well,” she answered, “we can totally say we went to the Musee D’Orsay, and we don’t even have to go in and waste any time.”

At that point, I did exactly what I should have done from the start.

I laughed out loud. And I let go of all of MY plans for OUR trip.

9J7A0747They don’t know this, but right then, I felt like my entire parenting experience was being reflected in that moment. Because isn’t that what we do as parents? Make grand plans of what our lives with our children will be — then spend the rest our lives realizing those plans were all for naught?

I wanted OUR trip to go a certain way. But it was MY way I wanted. And that wasn’t fair to the other people in my OUR.

For the rest of our time in Paris, other than making the girls go to the Louvre (they had to see the Mona Lisa), we made no other specific plans. In fact, we basically just walked around the city as we pleased. And we had an amazing time. Once I let go, WE were able to make the trip a memorable experience.

wpid-1400967908302.jpgWe even got a rainbow over the Eiffel Tower. If that’s not the universe showing it’s approval, I don’t know what is.

At the airport coming home, I asked the girls if they would remember the trip the way I will?

“Dunno.” Times two.

What can I say? Incredible.

 

 


Picture Books, Problems, and the Quotable Yoda

I’m an author, and one who mainly writes picture books. Every day, when I sit down at my computer to work, I try to think of new picture book ideas to work on.

That’s when I realize I have a problem. A real problem. A panic-worthy problem.

I don’t have anything to write about!

(See what I mean about a problem?)

Luckily, my college experience beat something into my brain that has served me well, even now when I do nothing at all with my college (or graduate) degree. It’s a simple rule of life, applicable to anything, apropos to everything. Even writing picture books.

All problems have solutions.

To find a solution as a scientist, I was taught to find the right protocol and to rely only on things that are true. And where I went to school, there was quite a bit of Yoda-quoting as well (well for it – I will tie it in, I promise!). So that’s what we are going to talk about today in this post: how to solve the problem of writing a new story.

Finding the right protocol

When I was a scientist, I dealt with proven techniques and tested procedures. When I became a writer, I quickly realized that I was most effective – and most efficient – when I used proven techniques and tested procedures.

I’m not trying to imply that writing a picture book is like following a recipe. The magic that happens when you write a publishable story is not something anyone can tell you about. What you can learn is how to write a technically correct narrative. The rest is fairy dust and rainbows.

But back to the protocol, I can certainly tell you that secret:

  • orangutangled coverLimit yourself to 500 words. I’m finding in today’s market, even 500 is considered long (the last picture book I sold had 22 words in it).
  • Write stories with a beginning, middle, and end. Young children need to be grounded in the reality of the world of your story before they can understand or appreciate it. So avoid the pitfall of jumping too quickly into the story. Remember, your story doesn’t take place on any old day – it happens on that day that the world became different. If you don’t tell the reader how things normally are (in that good story beginning), how will they understand the significance of the change? Similarly, young readers need to be satisfied at the conclusion of the story – the “happily ever after” moment, if you will – so you have to leave room for that.
  • Use no more than 10% of your word count for the beginning, 10% for the end, and 80% for the middle. As much as your readers need grounding and resolution, you don’t want to bog the story down with these things. Get to it, get it done, move on.
  • DDM coverMake use of the rule of three. Remember the Three Little Pigs and The Three Billy Goats Gruff? Those are the classic examples but most literature utilizes the rule of three in determining “how much plot” is necessary to be satisfying. So put your main character through at least three hurdles (more often, three failures and then a final success) over the course of your story.

Relying only on things that are true

Obviously, there is much, much more we could discuss, but that’s a lot for one blog post. So I’d like to shift gears and talk about truth.

The purpose of science is to expose the truth about the universe, to take something mysterious and make it less so. The purpose of literature is basically the same. So in all these scientific steps to writing that I take, my goal is to expose and convey a universal truth through character and through theme.

Truth in character is harder than you’d think. That’s because the picture book main character has to be true to the reader’s experience and to the author’s experience.

The temptation when creating a main character is to focus on the charismatic, the character’s talents, skills, and gifts. But a trick to keeping your character true is to balance the flair by imbuing him with flaws. Remember who your reader is: a child who probably feels on the wrong side of right most of the time. That child wants to be able to identify with the main character – and it is the flaws that make that possible.

Truth in theme is often what separates a good, publishable picture book manuscript from a fun romp. A lot of writers – even experienced ones – focus so much on creating compelling characters and crafting a gripping plot that they forget that the primary role of literature is to expose universal truths. Now, the scope of a picture book is obviously not the same as WAR AND PEACE, but we still need to deal with universal themes. Is your book about friendship? Family? Is it about finding your place in the world? About learning patience and perseverance? Whatever it is, make sure there is something more to the story than a bunch of punch lines. Experiencing the theme, seeing the truth – that’s what makes a book re-readable.

Putting it all together

Writing a good book can be a problem. But all problems have solutions. For me, the solution involves the steps I’ve outlined above.

Except…I left off a step. And it’s kind of an important one.

You have to find a way to put all the things above together in a logical way. And that’s where some of the art of what we do as authors comes into play.

Snoring Beauty, Sudipta Bardhan-QuallenAs much as I am a believer in following tried and true protocols, each of us has to find the formula that works for our story – one that allows the character to go on meaningful quest in a way that makes sense. To make it even more complex, it will likely be a different set of steps for each story. In essence, we reinvent the wheel every time.

So what do I hope you take from this post? Please know I’m not saying at all that a story can’t work with four failures before the main character solves the problem, or can’t be published at 700 words. You find what works for you, just as I’ve found what works for me. While all problems have solutions, your solution may be different from mine.

But at least you know now that there is a solution. And that’s what I hope you take away. Every day you sit down to write, no matter how problematic it is, there is a solution.

Which means it is not impossible.

And if it’s possible, it can be doable.

And if it is doable, well – remember the immortal words of Yoda: “Do or do not. There is no try.”

I hope you all choose “do.”

Three Questions with Dr. Mira Reisberg

Smiling-MiraI met Mira Reisberg earlier this year when she invited me to teach at the writing school she founded, the Children’s Book Academy. It’s been my privilege since then to have already co-taught one course with her and I’m about to launch another course on May 19. Her official bio is below, but don’t let all the titles and accomplishments fool you — Mira is wonderfully warm, down to earth, and fun to be around. I’m happy to be welcoming her to Nerdy Chicks Rule today.

1. You call yourself a “creative adventurer” (which I love!). Where did you get your creativity and your sense of adventure?

As the daughter of Holocaust survivors, I was taught fairly early on that the things of greatest value are the things that can’t be taken away – creativity, heart and intelligence. My family was poor and we never had a vacation, but, we did have books and art supplies. We also had a mighty Oxford Dictionary, which I loved. In the anthology Just Like Me I wrote about my mum giving me art supplies and saying, “I can’t give you a beautiful world, but you can make one for yourself.” I am so grateful that we were empowered in this way. I learned early on that if I framed things in terms of creativity, I could pretty much do anything. So when I started playing around with computers in 1985, I looked at it as an art tool or a sophisticated etch-a-sketch and that took the fear away. I have drawn, painted, and written my way through some pretty tough times but now my personal art is pretty much all joy. This is such a touchstone question for me – creativity as a tool for transformation. I think creativity comes in so many different forms including things like decorating, cooking, gardening, etc. that are transferrable if you have the confidence or courage to try. I’ve taught tons of people to do thing they never thought they could do and to me that too is a form of creativity. Being a creative teacher is about demystifying things and putting them in a systematic sequential order that is also accessible, personally meaningful, and fun. Some of this I learned getting my PhD in education and cultural studies (focus on kid lit of course).

In terms of being an adventurer, to me that means keeping an open mind and being willing to walk through fear and the unknown. And while doing that in the creative world is natural to me, doing it in the physical world, apart from traveling, is a whole other ball game. Climbing things, riding horses, crossing logs etc. is terrifying. Fortunately as I get older and a bit more confident in my body, things like that are getting easier.

2. You’re a wearer of many (and I mean MANY) hats — artist, educator, professor, literary agent, literature advocate, founder of the Children’s Book Academy — an indubitable Renaissance Nerdy Chick, if you will! Can you give our readers some advice on balancing so many interests and roles?

Ha!! You are asking the wrong honorary nerdy chick about balance. Being a super creative and fairly driven head, heart, and hands person, my body has taken a bit of a beating from overwork. I suspect I’m hooked on serotonin from challenging myself so much. Recently I joined a gym and am working with a trainer. It’s a really culturally diverse gym with all ages and body types, which I love. I used to love Oscar Wildes quote, “Moderation in all things, especially moderation.” But now I’m looking for that elusive thing called balance. Let me know if anyone finds it.

3. What should Nerdy Chicks who want to become published authors do to find success? 

Success comes to people who work hard and study their craft, who are patient, passionate about what they do, willing to take risks, and persistent in revising and submitting their work. There are two skills that most writers need to be successful – one is storytelling- being able to write a good story with a great beginning, middle, and end and the other is being an exquisite writer who tells their story with perfectly fabulous writing. I’ve seen lots of great storytellers who have passages of exquisite writing but it’s overall choppy. The best writers are those who really know the craft of writing so that every word is pitch perfect. This is why Sudipta and I created From Storyteller to Exquisite Writer: The Pleasures and Craft of Poetic Technique – to answer that need. While we will be covering the storytelling elements as we walk students through writing their manuscript, the heart of the course is exquisite writing, whether that be humorous writing, heartfelt writing, rhyming, non-rhyming, fiction, or non-fiction. I don’t know about Sudipta, but I’ve had tons of serotonin happening while developing this course. Perhaps because I’m so proud of it as a work of art in itself, and excited by the good that it’s going to do for those who take it.

Dr. Mira Reisberg is an award-winning children’s book illustrator, as well as a published writer, art director, editor, former professor and children’s book mentor with over 25 years of experience in the industry. Following the success of many of her Children’s Book Academy students, she founded Hummingbird Literary. You can find her at the Children’s Book Academy website or at the Hummingbird site (although she is not currently accepting unsolicited submissions). 

To find out about Mira and Sudipta’s ground-breaking course starting May 19th visit this site. This is the only time that Mira will be co-teaching this course with Sudipta and it should be outrageously fabulous and fun! And, please join Mira and Sudipta for a free webinar on poetic techniques in your writing!

Add Poetry to Your Prose

SAMSUNG CSCApril was National Poetry Month, a fabulous celebration of one of my favorite genres of literature. Earlier this month, we celebrated on this blog with Spine Poems and a wonderful interview with Children’s Poet Amy VanDerwater. But now that the month has drawn to a close, we wanted to give you some ways to keep the lessons of National Poetry Month close to our (writer’s) hearts.

In honor of National Poetry Month, here are three poetic devices that all writers should consider adding to their author’s toolboxes:

  1. Meter. Basically, think rhythm, not rhyme (necessarily). Have you ever listened to a song that was so catchy that you couldn’t keep from tapping your feet?  Find ways to add that pulse to your prose. If you can get your reader so caught up in the cadence of your words, he or she won’t be able to put your book down.
  2. Onomatopoeia. Not only is that the most fun word in the world to say (and if you use it in your writing, you can ask people, “Did you notice all the onomatopoeia?” And that might be your only chance to use that word naturally in a sentence in a given day) but it is actually a very powerful technique to bring more of your reader’s senses into the scene.  Think of how much more powerful it is to use a well-placed crash, hic, achoo!, or BANG! Than simply saying, “All the dishes fell to the floor,” or “Right in the middle of my speech, I started hiccupping.”
  3. Alliteration. Did you notice above when I was extolling the virtues of meter, I used phrases like “pulse to your prose” and “caught up in the cadence”? The simple addition of alliteration makes the phrasing more musical, more lyrical – more poetic. When you’re searching for the perfect word to form your sentences, think about those words in relation to the others – and find the alliteration to elevate your writing.

We’ll see you next April for the next celebration of National Poetry Month!

PictureBy the way, in case you are interested in learning more about incorporating poetic techniques into your writing, please consider joining me for either my new online course From Storyteller to Exquisite Writer: The Pleasures and Craft of Poetic Techniques  at the Children’s Book Academy or for a free webinar titled Why All Writers Need to Know Poetic Techniques and How to Use Them  on Monday May 12th  at 9PM Eastern/ 6PM Pacific Time!

Book Spine Poetry

April is National Poetry Month. According to the Academy of American Poets:

“National Poetry Month is a month-long, national celebration of poetry established by the Academy of American Poets. The concept is to widen the attention of individuals and the media—to the art of poetry, to living poets, to our complex poetic heritage, and to poetry books and journals of wide aesthetic range and concern. We hope to increase the visibility and availability of poetry in popular culture while acknowledging and celebrating poetry’s ability to sustain itself in the many places where it is practiced and appreciated.”

There are many ways to celebrate National Poetry Month, but one of my favorites is to create Book Spine Poetry. These are poems you don’t write so much as “find” in the title ideas of other authors. In honor of National Poetry Month, my children and I came up with a bunch of Book Spine Poems — we hope you enjoy reading them as much as we enjoyed “writing” them!

1397611200346

 

Love and longing in Bombay

Cloaked

Time and chance

In darkness

 

1397611433277

 

Heavens to Betsy!

Beautiful chaos

Ruined

My life

Without fail

 

 

1397611381552Baby Bear, Baby Bear, what do you see?

The night fairy

Perfect piggies

The witch of Blackbird Pond

The last unicorn

But not the hippopotamus

 

1397611326858The bad beginning

An offer you can’t refuse

The nasty bits

The enemy

The end of the affair

Game Over

 

 

1397611158416The Elephant’s journey

The hard way

Accidentally fooled

A hog on ice

 

 

 

1397611076867Pirate Princess

You’re finally here!

To catch a mermaid

Demon of the waters

Into the deep

With nothing to lose

 

 

How will you celebrate National Poetry Month?

 

 

 

 

 

Happy Book Birthday, TYRANNOSAURUS WRECKS! (and a Double Giveaway!)

In honor of the book birthday of my newest picture book, TYRANNOSAURUS WRECKS!, I have such an awesome treat for you! First, a guest post from my incredible illustrator, Zachariah OHora, about his creative process. Then,there is an awesome giveaway where two lucky winners will get some great prizes (scroll down to the end for more information on the prizes, though you don’t want to skip over this great post, do you?)

Tyrannosaurus Wrecks, Sudipta Bardhan-Quallen, Zachariah Ohora

Tyrannosaurus Wrecks!

by Zachariah OHora

When I first heard about this project I was super excited to work with Chad (creative director at Abrams) and Sudipta.
That excitement quickly turned to fear when I realized I’d never really drawn dinosaurs before.

Not even as a kid.

Plus there seemed to be a whole lot of dinosaurs I’d never heard of.

Gallimimus?!
Really?!

I think there were like five dinos when I was a kid and half of them don’t even exist anymore, er, I mean, they ALL don’t exist anymore, but uh…you get the point.

I realized I couldn’t just fudge through with a vague lizard creature.
So I started where all ignorant people do, with a Google search.

Fear turned to terror as I collected images. NO WAY WAS I GOING TO PULL THIS OFF!!!

Then I had an idea. One that might appear brilliant enough to fool everyone into NOT noticing I can’t draw dinosaurs. What if it was kids DRESSED as dinos instead?

TrexColorpalette 1

This seemed like the perfect solution as it allowed me a good deal of creative license.

TrexStudy 2

(Left: One of the first sketches for T Wrecks Boy. Right: Then I thought since he was always wrecking stuff perhaps he couldn’t see out of his mask)

TrexStudy 3

Then Abrams politely showed me a book that already had my “brilliant” idea in it that came out two years earlier.

Illustrator gulps.
Illustrator whines.
Illustrator wrecks!

Illustrator practices and practices drawing dinosaurs!

Until finally the characters ended up having some human qualities but were most definitely dinosaurs!

TWrecksNewNEw-1

Fortunately everyone was happy with the new version and that’s what you see in the book.
Fear of failure forced me to get my proper dinosaur education on. And best of all Sudipta was happy with them too.

Sometimes in a collaboration you have to go way out of your comfort zone.
And that’s a good thing.

zauthorphotoZachariah OHora is an illustrator and author of a number of children’s books. His debut STOP SNORING, BERNARD! was awarded the Society of Illustrators Founder’s Award and was chosen as the PA One Book for 2012. His book NO FITS NILSON! was awarded a Kirkus star and was the Huffington Post Book of the Year for 2013. He lives and works in the tiny village of Narberth, PA with his wife, two sons, and two cats.

Sudipta wasn’t just “happy” with these illustrations — she was thrilled! (Why am I referring to myself in the third person??)

Thank you, Zack, for such a great and insightful post. And just so you know, I hadn’t heard of a Gallimimus either — not until my then 4-year old son educated me on that and all the other dinos in the book (except the Tyrannosaurus — I had heard of that!).

And now, for the part you’ve all been waiting for…

THE GIVEAWAY(S)

In honor of TYRANNOSAURUS WRECKS, we here at Nerdy Chicks Rule are going to give away TWO prizes to one lucky winner.

First, the winner is going to score a copy of TYRANNOSAURUS WRECKS! signed by both Zach and me! And second, the lucky winner will get an original sketch from the book, signed by the illustrator himself!

Book and art — how can you not like that?

How do I win? asks my faithful blog reader.

It’s very simple.

1. To register, fill in the form below with your name, email, and Twitter and/or Facebook handles. (Don’t forget to hit ‘Submit’!)

2. Tweet or post about the TYRANNOSAURS WRECKS! release with the hashtag #TWRECKS and tag Sudipta (@SudiptaBQ on Twitter or Sudipta Bardhan-Quallen, Children’s Book Author on FB) AND tag Zack (@ZachariahOHora on Twitter). Don’t know what to tweet/post? Cut and paste one of the suggestions below:

  • Happy book birthday to TYRANNOSAURUS WRECKS! http://wp.me/p126Z2-N4 #TWRECKS @SudiptaBQ @ZachariahOHora
  • Do you know #TWRECKS? http://goo.gl/m28AnO @SudiptaBQ @ZachariahOHora
  • Got #TWRECKS? http://goo.gl/7nd3xU  @SudiptaBQ @ZachariahOHora

3. Every time you share using the handles you’ve registered, you’ll get one entry. The contest will close on April 7, 2014 at 11:59pm. At that time, we will gather up all the entries and choose a WINNER!

GOOD LUCK!