Picture Books, Problems, and the Quotable Yoda

May23 by sudiptabq

I’m an author, and one who mainly writes picture books. Every day, when I sit down at my computer to work, I try to think of new picture book ideas to work on.

That’s when I realize I have a problem. A real problem. A panic-worthy problem.

I don’t have anything to write about!

(See what I mean about a problem?)

Luckily, my college experience beat something into my brain that has served me well, even now when I do nothing at all with my college (or graduate) degree. It’s a simple rule of life, applicable to anything, apropos to everything. Even writing picture books.

All problems have solutions.

To find a solution as a scientist, I was taught to find the right protocol and to rely only on things that are true. And where I went to school, there was quite a bit of Yoda-quoting as well (well for it – I will tie it in, I promise!). So that’s what we are going to talk about today in this post: how to solve the problem of writing a new story.

Finding the right protocol

When I was a scientist, I dealt with proven techniques and tested procedures. When I became a writer, I quickly realized that I was most effective – and most efficient – when I used proven techniques and tested procedures.

I’m not trying to imply that writing a picture book is like following a recipe. The magic that happens when you write a publishable story is not something anyone can tell you about. What you can learn is how to write a technically correct narrative. The rest is fairy dust and rainbows.

But back to the protocol, I can certainly tell you that secret:

Limit yourself to 500 words. I’m finding in today’s market, even 500 is considered long (the last picture book I sold had 22 words in it).
Write stories with a beginning, middle, and end. Young children need to be grounded in the reality of the world of your story before they can understand or appreciate it. So avoid the pitfall of jumping too quickly into the story. Remember, your story doesn’t take place on any old day – it happens on that day that the world became different. If you don’t tell the reader how things normally are (in that good story beginning), how will they understand the significance of the change? Similarly, young readers need to be satisfied at the conclusion of the story – the “happily ever after” moment, if you will – so you have to leave room for that.
Use no more than 10% of your word count for the beginning, 10% for the end, and 80% for the middle. As much as your readers need grounding and resolution, you don’t want to bog the story down with these things. Get to it, get it done, move on.
Make use of the rule of three. Remember the Three Little Pigs and The Three Billy Goats Gruff? Those are the classic examples but most literature utilizes the rule of three in determining “how much plot” is necessary to be satisfying. So put your main character through at least three hurdles (more often, three failures and then a final success) over the course of your story.

Relying only on things that are true

Obviously, there is much, much more we could discuss, but that’s a lot for one blog post. So I’d like to shift gears and talk about truth.

The purpose of science is to expose the truth about the universe, to take something mysterious and make it less so. The purpose of literature is basically the same. So in all these scientific steps to writing that I take, my goal is to expose and convey a universal truth through character and through theme.

Truth in character is harder than you’d think. That’s because the picture book main character has to be true to the reader’s experience and to the author’s experience.

The temptation when creating a main character is to focus on the charismatic, the character’s talents, skills, and gifts. But a trick to keeping your character true is to balance the flair by imbuing him with flaws. Remember who your reader is: a child who probably feels on the wrong side of right most of the time. That child wants to be able to identify with the main character – and it is the flaws that make that possible.

Truth in theme is often what separates a good, publishable picture book manuscript from a fun romp. A lot of writers – even experienced ones – focus so much on creating compelling characters and crafting a gripping plot that they forget that the primary role of literature is to expose universal truths. Now, the scope of a picture book is obviously not the same as WAR AND PEACE, but we still need to deal with universal themes. Is your book about friendship? Family? Is it about finding your place in the world? About learning patience and perseverance? Whatever it is, make sure there is something more to the story than a bunch of punch lines. Experiencing the theme, seeing the truth – that’s what makes a book re-readable.

Putting it all together

Writing a good book can be a problem. But all problems have solutions. For me, the solution involves the steps I’ve outlined above.

Except…I left off a step. And it’s kind of an important one.

You have to find a way to put all the things above together in a logical way. And that’s where some of the art of what we do as authors comes into play.

As much as I am a believer in following tried and true protocols, each of us has to find the formula that works for our story – one that allows the character to go on meaningful quest in a way that makes sense. To make it even more complex, it will likely be a different set of steps for each story. In essence, we reinvent the wheel every time.

So what do I hope you take from this post? Please know I’m not saying at all that a story can’t work with four failures before the main character solves the problem, or can’t be published at 700 words. You find what works for you, just as I’ve found what works for me. While all problems have solutions, your solution may be different from mine.

But at least you know now that there is a solution. And that’s what I hope you take away. Every day you sit down to write, no matter how problematic it is, there is a solution.

Which means it is not impossible.

And if it’s possible, it can be doable.

And if it is doable, well – remember the immortal words of Yoda: “Do or do not. There is no try.”

I hope you all choose “do.”

Three Questions with Dr. Mira Reisberg

May7 by sudiptabq

I met Mira Reisberg earlier this year when she invited me to teach at the writing school she founded, the Children’s Book Academy. It’s been my privilege since then to have already co-taught one course with her and I’m about to launch another course on May 19. Her official bio is below, but don’t let all the titles and accomplishments fool you — Mira is wonderfully warm, down to earth, and fun to be around. I’m happy to be welcoming her to Nerdy Chicks Rule today.

1. You call yourself a “creative adventurer” (which I love!). Where did you get your creativity and your sense of adventure?

As the daughter of Holocaust survivors, I was taught fairly early on that the things of greatest value are the things that can’t be taken away – creativity, heart and intelligence. My family was poor and we never had a vacation, but, we did have books and art supplies. We also had a mighty Oxford Dictionary, which I loved. In the anthology Just Like Me I wrote about my mum giving me art supplies and saying, “I can’t give you a beautiful world, but you can make one for yourself.” I am so grateful that we were empowered in this way. I learned early on that if I framed things in terms of creativity, I could pretty much do anything. So when I started playing around with computers in 1985, I looked at it as an art tool or a sophisticated etch-a-sketch and that took the fear away. I have drawn, painted, and written my way through some pretty tough times but now my personal art is pretty much all joy. This is such a touchstone question for me – creativity as a tool for transformation. I think creativity comes in so many different forms including things like decorating, cooking, gardening, etc. that are transferrable if you have the confidence or courage to try. I’ve taught tons of people to do thing they never thought they could do and to me that too is a form of creativity. Being a creative teacher is about demystifying things and putting them in a systematic sequential order that is also accessible, personally meaningful, and fun. Some of this I learned getting my PhD in education and cultural studies (focus on kid lit of course).

In terms of being an adventurer, to me that means keeping an open mind and being willing to walk through fear and the unknown. And while doing that in the creative world is natural to me, doing it in the physical world, apart from traveling, is a whole other ball game. Climbing things, riding horses, crossing logs etc. is terrifying. Fortunately as I get older and a bit more confident in my body, things like that are getting easier.

2. You’re a wearer of many (and I mean MANY) hats — artist, educator, professor, literary agent, literature advocate, founder of the Children’s Book Academy — an indubitable Renaissance Nerdy Chick, if you will! Can you give our readers some advice on balancing so many interests and roles?

Ha!! You are asking the wrong honorary nerdy chick about balance. Being a super creative and fairly driven head, heart, and hands person, my body has taken a bit of a beating from overwork. I suspect I’m hooked on serotonin from challenging myself so much. Recently I joined a gym and am working with a trainer. It’s a really culturally diverse gym with all ages and body types, which I love. I used to love Oscar Wildes quote, “Moderation in all things, especially moderation.” But now I’m looking for that elusive thing called balance. Let me know if anyone finds it.

3. What should Nerdy Chicks who want to become published authors do to find success?

Success comes to people who work hard and study their craft, who are patient, passionate about what they do, willing to take risks, and persistent in revising and submitting their work. There are two skills that most writers need to be successful – one is storytelling- being able to write a good story with a great beginning, middle, and end and the other is being an exquisite writer who tells their story with perfectly fabulous writing. I’ve seen lots of great storytellers who have passages of exquisite writing but it’s overall choppy. The best writers are those who really know the craft of writing so that every word is pitch perfect. This is why Sudipta and I created From Storyteller to Exquisite Writer: The Pleasures and Craft of Poetic Technique – to answer that need. While we will be covering the storytelling elements as we walk students through writing their manuscript, the heart of the course is exquisite writing, whether that be humorous writing, heartfelt writing, rhyming, non-rhyming, fiction, or non-fiction. I don’t know about Sudipta, but I’ve had tons of serotonin happening while developing this course. Perhaps because I’m so proud of it as a work of art in itself, and excited by the good that it’s going to do for those who take it.

Dr. Mira Reisberg is an award-winning children’s book illustrator, as well as a published writer, art director, editor, former professor and children’s book mentor with over 25 years of experience in the industry. Following the success of many of her Children’s Book Academy students, she founded Hummingbird Literary. You can find her at the Children’s Book Academy website or at the Hummingbird site (although she is not currently accepting unsolicited submissions).

To find out about Mira and Sudipta’s ground-breaking course starting May 19th visit this site. This is the only time that Mira will be co-teaching this course with Sudipta and it should be outrageously fabulous and fun! And, please join Mira and Sudipta for a free webinar on poetic techniques in your writing!

The Top Ten Picture Books Written by Nerdy Chicks Who I’ve Laughed With

Aug10 by sudiptabq

Good books aren’t always written by good people. For example, Roald Dahl was rumored to be a terrible racist, and Charles Dickens threw his wife of 22 years out of their house, even though her youngest children were 9 and 6. But in the case of these Ten Nerdy Chicks, we’ve got great books coming from greater people. Here’s a Picture Book 10 for 10 that combines some of my favorite books with some of my favorite people.

1. Ame Dyckman, Boy + Bot: One day, a boy and a robot meet in the woods. They play. They have fun. But when Bot gets switched off, Boy thinks he’s sick. The usual remedies—applesauce, reading a story—don’t help, so Boy tucks the sick Bot in, then falls asleep. Bot is worried when he powers on and finds his friend powered off. He takes Boy home with him and tries all his remedies: oil, reading an instruction manual. Nothing revives the malfunctioning Boy! Can the Inventor help fix him?

2. Audrey Vernick, Bogart and Vinnie: When Vinnie, a crazy-happy dog, gets lost while visiting a nature preserve with his family, he finds comfort in the company of Bogart, a big, lazy rhinoceros. Vinnie loves his new friend, but Bogart would rather just take a nap. A friendship soon blossoms-even if Vinnie’s definition of “friendship” is very different from Bogart’s-and when word of their unique situation spreads, Bogart and Vinnie are a worldwide sensation! But as soon as their fifteen seconds of fame ends, what’s left is a bond even Bogart can’t ignore.

3. Tara Lazar, The Monstore: The Monstore is the place to go for all of your monsterly needs. Which is perfect, since Zack definitely has a monsterly need. The problem? His pesky little sister, Gracie, who never pays attention to that “Keep Out” sign on Zack’s door—the one he has made especially for her.

4. Alison Ashley Formento, These Bees Count: How do bees count? The bees at the Busy Bee Farm buzz through the sky as one big swarm, fly over two waving dandelions, find three wild strawberries bursting with sweetness . . . As the children in Mr. Tate’s class listen, they learn how bees work to produce honey and make food and flowers grow. Bees count–they’re important to us all.

5. Courtney Pippin-Mathur, Maya Was Grumpy: Maya wakes up on the wrong side of the bed, tangled in her blanket, and in a crispy, cranky, grumpy, grouchy mood. She doesn’t want to color or wear her favorite shorts or go outside to play. What’s worse, she’s determined to share her grumpiness with everyone as she glumps, clumps, and thumps around the house. But when Maya growls at her grandmother, she graciously takes Maya’s mood in stride, and even has a solution: Gramma suggests a series of unusual activities that Maya will probably not want to do since she’s feeling grumpy—and then dismisses her own silly suggestions before Maya can reject them.

6. Joyce Wan, You are My Cupcake: A scrumptious board book, filled with sweet terms of endearment. This bite-sized board book is an ode to all the names we call our children: cutie pie, sweet pea, peanut, pumpkin. With a candy-colored palette and irresistible art with glitter and embossing, this is the perfect baby shower gift!

7. Kat Yeh, The Magic Brush: Combining a heartwarming family story, a magical adventure, and a multilingual primer on Chinese language, The Magic Brush tells the story of Jasmine, a young girl who learns Chinese calligraphy from her Agong, or grandfather. As Jasmine learns how to paint the characters for dragon, fish, horse, friend, and more, she and Agong are magically transported to the wondrous world they are creating. But when Agong passes away, Jasmine must find a way for their special paintings to live on. Could her baby brother Tai-Tai be the key?

8. Anne Marie Pace, Vamipirina Ballerina Hosts a Sleepover: Before Vampirina can host her very first sleepover there are a few things she must keep in mind: be polite and offer her guests food (like blood pudding); plan some games like scavenger hunt (but keep the clues simple so no one gets lost); and don’t forget to dance! Vampirina may be a little nervous at first, but by following a few simple rules she will host the Best Sleepover Ever.

9. Tiffany Mayro Strelitz, The Monster Who Lost His Mean: Everyone knows that the M in “monster” stands for MEAN. But what happens when a monster can’t be mean any more? Is he still a monster at all? One young monster’s attempts to live up to his name go hilariously awry as he discovers—with a little help from new friends—that it’s not what you’re called but who you are that counts.

10. Leeza Hernandez,Dog Gone: When a playful pooch goes a little overboard with a stuffed animal and gets in trouble, he decides it’s time to run away. But being a “dog gone” isn’t as easy (or fun!) as it looks, and soon the pup misses his owner and home. Luckily, even though he’s made a mistake, his human best friend is always waiting with open arms.

Another KidLit Giveaway!

Jul23 by sudiptabq

So, I’ve been AWOL for a while — too many things going on in my life, both good and bad. But in honor of The Busy Librarian’s new podcast (which just happens to feature me!), I’ve decided to come back with a new GIVEAWAY!

So, most importantly,

what can you win?

To accommodate our vast range of readers, I want to make sure you can win something you really want. Therefore, the winner will be given a choice of these things:

either a free 45-minute Virtual Classroom Visit, where I would be happy to tell your chosen class all about how my books come together, from the initial inspiration to the totally terrific art. (Don’t worry if you’re not a teacher — you can donate the Virtual Visit to any class you choose!)
or, a signed copy of PIRATE PRINCESS, personalized to whomever you’d like.

I will accept entries until July 30, 2013 and I will draw the winner’s name and announce it on August 1.

Here are the rules for this giveaway:

Required. Fill out the entry form below with your name, your choice of prize, either the school you would like to give the visit to or the name for the personalized book, and your email address (so I can reach you!).

BUT WAIT! You can be entered to win multiple times. You will get an extra entry for doing any of the following:

(1) leave me a comment here with your thoughts on the podcast.

(2) follow me on Twitter – mention that in a comment below.

(3) tweet this post to your own twitter followers and tag me @sudiptabq and the Busy Librarian @MatthewWinner in the tweet.

(4) tweet the podcast to your own twitter followers and tag me @sudiptabq and the Busy Librarian @MatthewWinner in the tweet.

(5) like my author page on Facebook – mention that in a comment below.

(6) follow this blog (right sidebar) and The Busy Librarian’s blog — mention that in a comment below.

or (7) like fellow blogger Kami Kinard’s Facebook author page – mention that in a comment below.

That’s EIGHT ways to enter and win, folks!

GOOD LUCK!

The Next Big Thing: Sudipta Version

Feb27 by sudiptabq

The Next Big Thing Blog Hop celebrates what writers are working on or what they have coming up next. Welcome to my stop!

I was tagged by my co-blogger, Kami Kinard, author of The Boy Project. See what her next big thing is HERE.

It wasn’t easy to pick one thing to talk about today – I typically have about six projects going at any time. But then the first question below helped me narrow things down. See, of the six things I’m working on, quite a few of them have NO WORKING TITLES AT ALL. Makes it a little harder to summarize them, huh? So I’m going to take the easy route and talk about something WITH A TITLE!

1: What is the working title of your book? DUCK DUCK MOOSE

2: Where did the idea come from for the book? I’ve been carrying this idea around with me for years. It’s about a family unit of two ducks and a moose that is very close – but as close families sometimes do, they also irritate each other. A lot.

3: What genre does your book come under? Picture Book.

4: Which actors would you choose to play your characters in a movie rendition? Hmmm. My book is about two ducks and a moose. So…how about any two of the One directions guys as Duck and Duck and Seth Rogan as Moose?

5: What is the one-sentence synopsis of your book? What’s a Duck to do when the Moose in your life is forever ruining things?

6: Is your book self-published, published by an independent publisher, or represented by an agency? This book is going to be published by Disney-Hyperion and it will be illustrated by the incomparable Noah Z. Jones.

7: How long did it take you to write the first draft of your manuscript? I’ve been carrying this idea around for YEARS, but once I started writing, I’d say about three months to fine tune it. That is ridiculously fast for a picture book – but this one is very, very sparse on words…

8: What other books would you compare this story to within your genre? Hmmmm…that’s pretty hard. Everything I think of to compare DUCK DUCK MOOSE to comes off sounding pretty self-important, so…I’m going to take a pass on this one…

My ducks and moose

9: Who or what inspired you to write this book? I’ve always tried to work word play into my picture books, and the thought of replacing the goose in a game of duck, duck, goose with a moose just seemed so funny to me. Add to that the real-life ducks and mooses in my life…I’m the mother of three, two girls aged 11 and 10 and a 6-year old moose-boy. I’ve watched the girls’ carefully laid plots be demolished by their brother so many times over the last few years that when I finally started to write the book, it came together pretty quickly.

10: What else about your book might pique the reader’s interest? I think the illustrations are adorable, and the story itself it both extremely easy to read (under 50 words) and requires a pretty high level of engagement to enjoy (you have to look at the picture book as a whole to enjoy this experience, not just read the words).

Thanks for checking out what I’m working on! Be sure to stop by the blog of a fabulous author named Marcie Colleen who allowed me to tag her for next week (Wednesday, March 6) and check out my co-bloggers for the day, Anne Marie Pace, Kathy Erskine, and Amy Carol Reeves!